Shinrin-Yoku or Forest Bathing
Originating in Japan, shinrin-yoku, forest bathing, is a practice or process of therapeutic relaxation, walking in the forest focusing on sensory engagement to connect with nature.
Japan, being two thirds covered in forest, is filled with greenery and a vast diversity of trees. Residing there is the Hokkaido region, Japan’s last great wilderness, and the Japanese Alps, filled with mountain ranges and thick pine forests. The term shinrin-yoku was coined in 1982 by Tomohide Akiyama, who was the director of the Japanese Ministry of Agriculture, Forestry and Fisheries. After several studies were conducted in Japan during the 1980s, forest bathing was seen to be an effective therapy method. Akiyama knew of these studies along with the findings that showed the beneficial health effects of the compounds, such as phytoncides, and of the essential oils that certain trees and plants emitted. Thus, he officially put forward shinrin-yoku as a recognized practice, promoting its benefits to the Japanese public and establishing guidelines for its implementation.
Shinrin-yoku was developed as a response to the increasing urbanization and technological advancements in Japan and was put forth to inspire the Japanese public to reconnect with nature within Japan and as a means to protect the forests. It was reasoned that if people spent time in forests and were able to find therapeutic comfort within it, they would want to protect it.
Thyme For Coughs
This appeared in my social media feed. I have not tried it yet. Let me know your results if you do.
Ensure These 5 Things Are Part Of Your Daily Routine As You Age
Intend
Move
Nourish
Connect
Learn
7 Indicators Of longevity For People Over 70 by Barbara O’Neill
Normal Appetite
Good Sense Of Balance
Faster Walking Speed
Grip Strength
7-9 Hours Restful Sleep Nightly
Social Connections
Ability to Not Stress
FDA to Remove Toxic Artificial Food Dyes from U.S. Food Supply and Medications
FDA to Remove Toxic Artificial Food Dyes from U.S. Food Supply and Medications
In a landmark move aimed at addressing the chronic disease epidemic, FDA Commissioner Dr. Marty Makary announced today that the agency will eliminate petroleum-based synthetic food dyes from the American food and drug supply.
Finish reading: https://www.thefocalpoints.com/p/breaking-fda-to-remove-toxic-artificial
Jeff Childers Writes On The Reason For The Papal Demise
Putting together some pieces the media won’t.
Finish reading: https://open.substack.com/pub/coffeeandcovid/p/memento-mori-tuesday-april-22-2025?
Unreasonable Hospitality
Restaurateur Will Guidara’s life changed when he decided to serve a two-dollar hot dog in his fancy four-star restaurant, creating a personalized experience for some out-of-town customers craving authentic New York City street food. The move earned such a positive reaction that Guidara began pursuing this kind of “unreasonable hospitality” full-time, seeking out ways to create extraordinary experiences and give people more than they could ever possibly expect. In this funny and heartwarming talk, he shares three steps to crafting truly memorable moments centered in human connection – no matter what business you’re in.
Click to view the video: https://www.youtube.com/watch?v=bwcyXcOpWVs
Quote of the Day
“The thing always happens that you really believe in – and the belief in a thing makes it happen.” – Frank Lloyd Wright, Architect (1867-1959)
Morgan and Shawshank Redemption
During the filming of a key scene in “The Shawshank Redemption” (1994), Morgan Freeman spent an unbroken nine hours throwing a baseball as Ellis Boyd “Red” Redding. It wasn’t staged for action or athleticism. It was a quiet, emotional moment, Red chatting with Andy Dufresne in the prison yard, a symbol of their deepening friendship. But the scene demanded dozens of takes from multiple angles, and Freeman, known for his calm presence, kept tossing the ball again and again. The crew didn’t realize what it was costing him.
The next day, Freeman walked onto set with his arm in a sling. It was only then that everyone learned he had seriously injured his shoulder and had not told anyone. Director Frank Darabont recalled, “Morgan never said a word. Only the next day, he showed up with his arm in a sling.” The silence did not come from pride. It came from a place of deep commitment to the story, the moment, and the team around him. He knew stopping production would affect the schedule and cost the production dearly. So, he kept throwing.
Freeman, who was 56 during the filming of “The Shawshank Redemption” in 1993, had already built a reputation as one of Hollywood’s most respected actors. His performances in “Driving Miss Daisy” (1989), “Glory” (1989), and “Lean on Me” (1989) had shown audiences his range and sensitivity. What unfolded during that baseball scene offered the crew a firsthand glimpse at something beyond talent: his endurance, humility, and willingness to put the work ahead of his own comfort.
The injury was not minor. According to a crew member, Freeman’s shoulder was visibly swollen by the end of the day. Yet he made no request to adjust the scene or reshoot with a double. He simply powered through. The injury was never publicized. There were no interviews about it, no press releases. He did not want sympathy, and he certainly did not want attention for it.
Cinematographer Roger Deakins, who captured that yard scene with his signature subtlety and natural lighting, later mentioned how Freeman’s physical pain didn’t show in the footage. “What you see on camera is all Morgan,” Deakins said. “There’s a grace to his movement, even when he was hurting. It’s a quiet kind of toughness.”
Darabont, deeply moved by Freeman’s gesture, remembered how the actor never made demands. “Morgan was the kind of guy who made the set feel grounded. He brought calm when things got hectic. And the day he showed up with that sling, there was a kind of silence, not from guilt or shock, but from respect.”
Freeman’s co-star Tim Robbins, who played Andy, later reflected on that day with admiration. “We all knew Morgan was dedicated, but that made it clear how much he cared about every detail. He was in pain, and none of us even noticed until the next day. That tells you who he is.”
Behind Freeman’s quiet endurance was a deeper philosophy he carried throughout his career, the belief that an actor is in service of the story. That belief guided every take, every line, and every subtle gesture in “The Shawshank Redemption” (1994). It is why Red’s character felt lived-in, believable, and deeply human. Freeman did not merely perform the role; he lived it, even through pain.
He never asked for acknowledgment. But the people who saw that moment never forgot it. And for those who admire his work on screen, that day on the prison yard is a reminder that greatness often comes not with noise, but with quiet, relentless commitment.
In nine hours of quiet pain, Morgan Freeman showed more about character than a script ever could.
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