Think Outside The Box To Build Better Boxes

Mud House, Bamboo Frame

In 2005, a devastating earthquake struck Northern Pakistan, killing 80,000 people and leaving over 400,000 families without a home. Amidst the rubble, a remarkable woman named Yasmeen Lari saw a chance to rebuild not just houses, but hope.

Yasmeen is Pakistan’s first female architect. For years, she designed large, modern buildings for corporations, but the 2005 tragedy changed her path.

She turned her focus to helping the people who had lost everything. She began designing homes that were not only safe but could be built by the villagers themselves.

Instead of expensive concrete and steel, she turned to the wisdom of the past. Her designs used local, traditional materials like bamboo, mud, and lime.

These materials, when used in her innovative structures, create homes that are surprisingly resilient against earthquakes. The buildings are designed to be low-cost, zero-carbon, and zero-waste.

She founded the Heritage Foundation of Pakistan to teach these techniques, empowering communities to build their own safe and sustainable futures. The organization has helped build tens of thousands of these structures.

It’s a powerful example of using simple, God-given materials and knowledge to solve incredible challenges.

Yasmeen Lari’s work has provided shelter for countless families and created a model for disaster-resilient housing around the world.

Sources: Architectural Digest, Heritage Foundation of Pakistan

Courage, Respect, Charity and Inspiration

Old Man With A Cane

“Kid, if you can’t even buy groceries, maybe you shouldn’t be here wasting our time.”

The air tightened. The boy froze, ashamed and angry at once. His jaw clenched. He looked ready to bolt.

I don’t know what came over me. But I slammed my cane down hard on the linoleum. The sound cracked through the checkout lane.

“Hey!” I barked. “Show some damn respect.”

The man turned, annoyed. “Excuse me?”

“You heard me,” I said, voice rough. “You don’t know this boy. You don’t know his battles. Don’t you dare stand there and belittle him.”

A few heads turned. The cashier froze. The man scoffed, gesturing at the boy.

“Oh really? And you do? He’s just another punk kid.”

I felt my chest burn, same as it did years ago when someone disrespected one of my own in uniform. My voice came out low, steady.

“I buried friends who were judged before anyone gave them a chance. Don’t you dare do it again—not in front of me.”

Silence. You could hear the rain on the roof. The man shifted uncomfortably, muttered something under his breath, and looked away.

The boy just stood there, fists tight at his sides, breathing hard.

I pulled out my wallet. The bills were soft from being folded too long. I slid a twenty across the counter.

“Ring it up,” I said. “And keep the change.”

The boy’s eyes shot wide. “Sir, I—I can pay you back. I promise.”

I put a hand on his shoulder, steadying him. “Don’t pay me back. Just promise me something.”

He blinked, waiting.

“Next time you see someone carrying a load—doesn’t matter if you can see it or not—you carry it with them.”

The boy swallowed hard, nodded fast. His eyes were wet. “Yes, sir. I will.”

The cashier bagged his food quietly. The boy gathered it up, still shaking, and walked out into the rain.

The man in the tie? He looked at the floor, pretending not to exist. The rest of the line had gone quiet. A mother holding her toddler whispered, “God bless you.”

I didn’t feel like a hero. My knees ached. My voice trembled. But as I left the store, groceries in hand, something inside me felt lighter.

A week later, I went back for more coffee. Rain again, because that’s how this town likes to treat you. As I stepped out of the store, I stopped.

Across the parking lot, near an old sedan, I saw the boy. He was helping an older woman—had to be in her eighties—load heavy bags into her trunk. She tried to wave him off, but he shook his head and kept lifting, careful and steady.
When he turned, our eyes met. He didn’t smile. He didn’t need to. He just gave me a small nod.

I nodded back. My throat tightened.

Driving home, I thought about Linda. She used to say, “George, kindness isn’t about speeches. It’s about action, quiet and simple.”
She was right.

It isn’t about saving the world. It isn’t about grand gestures. Sometimes it’s a twenty slipped across a counter. Sometimes it’s a teenager loading groceries in the rain.

And sometimes… it’s an old man slamming his cane down and refusing to let cruelty win the day.

We don’t always know what someone else is carrying. But if we shoulder just a little piece of it—just enough to let them breathe—then maybe, just maybe, the world gets lighter for all of us.

The world doesn’t change through speeches or politics. It changes in grocery aisles, in rain-soaked parking lots, in the quiet weight of kindness.

Pass it on.

Social reform comes from individuals doing what they can.

Charles Dickens

In 1824, Charles Dickens watched helplessly as his father was dragged away to Marshalsea debtors’ prison. With their family name in ruins and no money left, young Charles was pulled from school and thrust into the harsh reality of Warren’s Blacking Factory near the Thames.

For 16 hours a day, this gentle, educated child sat among rough adults, pasting labels onto bottles of shoe polish. The factory was cold, rat-infested, and reeked of industrial chemicals. His small hands grew raw from the work, but his spirit suffered more. He felt abandoned by the world—invisible, worthless, forgotten.

Most children would have been broken by such trauma. But Charles carried something different inside him: an extraordinary imagination and an unshakeable belief in human dignity. That suffering didn’t destroy him—it awakened him.
Years later, when his father was freed and Charles returned to school, he never forgot those who remained trapped in poverty’s grip. That pain became his purpose. Every novel he wrote carried the voice of the voiceless, the cry of the forgotten child, the plea for justice.

Oliver Twist wasn’t just fiction—it was Charles at age 12, asking for more. David Copperfield wasn’t just a character—it was every abandoned child Charles had seen. A Christmas Carol wasn’t just entertainment—it was a moral revolution wrapped in story.

Dickens didn’t just write books; he rewrote society’s conscience. His novels sparked real reform, shuttering workhouses, improving labor laws, and giving dignity to the poor. The boy who felt powerless became one of history’s most powerful voices for change.

Sometimes our deepest wounds become our greatest wisdom.
Sometimes the moments that break us open are the moments that let the light pour in.

That broken boy by the Thames didn’t just survive—he saved countless others through the stories only he could tell.

On Freedom

“Freedom is not deserved. It is taken then defended.” from the story ‘The Peace Treaty Was a Lie—Humanity Knew It All Along’ on the YouTube channel SCIFI-HFY

Consequences

Consequences

Lance Davis writes, “I always felt we are responsible for the decisions we make, right or wrong.”

I would add that the difference between an ethical person and one who is unethical is that the ethical person can and does more accurately predict the consequences of alternative courses of action and makes more pro-survival decisions based on that more accurate prediction.

Based on that observation, teaching our children to stop and think about the consequences of alternatives is perhaps one of the most valuable lessons we can give them.

Lucy and Uncle Sarge

Lucy and Uncle Sarge

It was 2 AM when I heard a knock on my door. I opened it to find a little girl, barefoot in the freezing cold, clutching a half-dead kitten to her chest. Her lips were blue, her pajamas soaked from walking through frost, but she looked up at me and whispered, “Can you fix my kitty like you fixed Daddy’s motorcycle?”
I’d never seen her before. My Harley was still parked out front with tools scattered around from earlier, and somehow this child decided a biker could fix anything—even a dying kitten. But then she added the words that made my stomach drop: “And Mommy won’t wake up.”
I scooped her up, wrapped her in my leather jacket, and called 911. She told me her name was Lucy. The kitten was Whiskers. She pointed down the street toward “the house with yellow flowers,” saying that was home.
When I asked why she came to me, she said something I’ll never forget: “Daddy… before he went to heaven… showed me a picture of his friends. They had jackets like yours. He said if Mommy ever got the sleeping sickness again, I had to find one of his angel brothers—‘cause you fight the monsters.”
Those words hit me like lightning. “Angel brothers” wasn’t just a child’s imagination—it was real. Her father had been one of us. A Heaven’s Angel. A brother I didn’t even know had left behind a wife and little girl.
I didn’t wait for paramedics. I carried Lucy and ran to her house. Inside, her mother was on the floor, unconscious, an insulin kit spilled beside her. A diabetic coma. I did what I could until help arrived. They managed to save her.
The kitten didn’t make it. But the bigger picture was clear—Lucy and her mom were alone, and they were family to me now.
When her mom woke up in the hospital, the first thing she saw was me sitting beside her bed, her daughter asleep in my lap. With tears in her eyes, she whispered, “You found one. Danny always said one of you would come.”
From that night on, they weren’t alone anymore. My brothers and I fixed up their house, filled their pantry, and set up a fund for Lucy’s future. She called me “Uncle Sarge.” I taught her to ride a bike, just like her dad would have.
She came to my door that night asking me to fix her kitten. But what really happened is—we fixed each other. She gave me a family to protect. And we got to keep a fallen brother’s promise: to fight the monsters and keep his girls safe.

Taylor Sheridan – No. 11 On The Call Sheet

Taylor Sheridan

In 2011, ‘Yellowstone’ creator Taylor Sheridan was a jobbing actor down to his last $800.
When he attempted to negotiate a pay rise for his role as Deputy Chief David Hale in FX’s ‘Sons of Anarchy,’ an exec knocked his attorney back by saying:
“He probably deserves to make more, but we’re not going to pay him more… There are 50 of him. He is #11 on the call sheet. That’s what that guy is and that’s all he’s ever going to be.”
That was the final insult that convinced Sheridan “I didn’t want to be #11 on the call sheet for the rest of my life.”
So he got to writing, and four years of typing away later, he’d turned in a screenplay that became Denis Villeneuve’s ‘Sicario’ (2015). A masterpiece, through and through.
The following year, Taylor Sheridan racked up nominations for David Mackenzie’s critically acclaimed ‘Hell or High Water’ (2016) starring Chris Pine and Ben Foster; before making his own spectacular directorial debut with ‘Wind River’ (2017).
The real game changer, however, was the moment he co-created one of the most successful modern television franchises with Art Linson: ‘Yellowstone.’
Despite being snobbishly rejected by HBO during a prolonged pitch process, the five-season affair featuring Kevin Costner has spawned two epic spin-off shows with three more currently in active development.
It also convinced Paramount to let him produce five more passion projects — ‘Mayor of Kingstown,’ ‘Tulsa King,’ ‘Special Ops: Lioness,’ ‘Lawmen: Bass Reeves,’ and ‘Landman.’
In present day, Taylor Sheridan is worth over $200 million and the proud owner of historic Texas property Four Sixes Ranch, AKA 6666 Ranch (pictured: below).
How’s that for being #11 on the call sheet?